That can be played simultaneously for Apple ProRes RAW HQ and Apple ProRes RAW on a 28-core Mac Pro. Apple ProRes 4444 and Apple ProRes 422 HQ are included for comparison. ProRes RAW ProRes 422 HQ ProRes 4444 0 3 6 9 12 Mac Pro – Final Cut Pro X Multistream Playback DCI 4K 59.94p ProRes RAW HQ 12 12 11 5. With this best Apple ProRes 422 and 4444 converter, you can convert MKV, AVI, MTS, MXF and MP4 to ProRes codec on Mac. Free download Mac Apple ProRes Converter from Acrok.
All Apple ProRes codecs support all frame sizes (including SD, HD, 2K, 4K, and 5K) at full resolution. The data rates vary based on codec type, image content, frame size, and frame rate. Apple ProRes includes the following formats.
To bring the same performance, quality, and ease of use introduced by Apple ProRes to raw media, use Apple ProRes RAW. Learn more about ProRes RAW.
Apple ProRes 4444 XQ*
Apple ProRes 4444 XQ is the highest-quality version of Apple ProRes for 4:4:4:4 image sources (including alpha channels). This format has a very high data rate to preserve the detail in high-dynamic-range imagery generated by today’s highest-quality digital image sensors. Apple ProRes 4444 XQ preserves dynamic ranges several times greater than the dynamic range of Rec. 709 imagery. This holds true even against the rigors of extreme visual effects processing in which tone-scale blacks or highlights are stretched significantly. Like standard Apple ProRes 4444, this codec supports up to 12 bits per image channel and up to 16 bits for the alpha channel. Apple ProRes 4444 XQ features a target data rate of approximately 500 Mbps for 4:4:4 sources at 1920x1080 and 29.97 fps.
ProRes 4444 XQ is supported on OS X Mountain Lion v10.8 or later.
Apple ProRes 4444*
Apple ProRes 4444 is an extremely high-quality version of Apple ProRes for 4:4:4:4 image sources (including alpha channels). This codec features full-resolution, mastering-quality 4:4:4:4 RGBA color, and visual fidelity that is perceptually indistinguishable from the original material. Apple ProRes 4444 is a high-quality solution for storing and exchanging motion graphics and composites, with excellent multigeneration performance and a mathematically lossless alpha channel of up to 16 bits. This codec features a remarkably low data rate compared to uncompressed 4:4:4 HD. It has a target data rate of approximately 330 Mbps for 4:4:4 sources at 1920x1080 and 29.97 fps. It also offers direct encoding of and decoding to both RGB and Y’CBCR pixel formats.
Apple ProRes 422 HQ
Apple ProRes 422 HQ is a higher-data-rate version of Apple ProRes 422 that preserves visual quality at the same high level as Apple ProRes 4444 but for 4:2:2 image sources. With widespread adoption across the video post-production industry, Apple ProRes 422 HQ offers visually lossless preservation of the highest-quality professional HD video that a single-link HD-SDI signal can carry. This codec supports full-width, 4:2:2 video sources at 10-bit pixel depths, while remaining visually lossless through many generations of decoding and reencoding. The target data rate is approximately 220 Mbps at 1920x1080 and 29.97 fps.
Apple ProRes 422
Apple ProRes 422 is a high-quality compressed codec offering nearly all the benefits of Apple ProRes 422 HQ, but at 66 percent of the data rate for even better multistream, real-time editing performance. The target data rate is approximately 147 Mbps at 1920x1080 and 29.97 fps.
Apple ProRes 422 LT
Apple ProRes 422 LT is a more highly compressed codec than Apple ProRes 422, with roughly 70 percent of the data rate and 30 percent smaller file sizes. This codec is perfect for environments where storage capacity and data rate are at a premium. The target data rate is approximately 102 Mbps at 1920x1080 and 29.97 fps.
Apple ProRes 422 Proxy
Apple ProRes 422 Proxy is an even more highly compressed codec than Apple ProRes 422 LT, intended for use in offline workflows that require low data rates but full-resolution video. The target data rate is approximately 45 Mbps at 1920x1080 and 29.97 fps.
* Apple ProRes 4444 and Apple ProRes 4444 XQ are ideal for the exchange of motion graphics media because they are virtually lossless. They are also the only Apple ProRes codecs that support alpha channels.
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Acrok Video Converter Ultimate for Mac is top Apple ProRes converter that can convert all video formats to Apple ProRes codec for editing or playback, convert Apple ProRes video to any video codec. Apple ProRes codec is the best codec for editing in Final Cut Pro X, Final Cut Pro 7/6, Adobe Premiere Pro CC/CS6, and other editing software on Mac platform. Apple ProRes converter has presetted output formats for popular editing software, these formats are optimized, after converting to corresponding best codec for editing software, you will not encounter any importing problems, and you can load video without rendering.With Apple ProRes converter, you can convert Blu-ray to ProRes, DVD to ProRes, H.265/HEVC to ProRes, XAVC/XAVC S to ProRes, AVCHD to Apple ProRes, MTS to Apple ProRes, MXF to Apple ProRes, H.264 to Apple ProRes, DNxHD to Apple ProRes, MPEG-2 to Apple ProRes, etc. you can also convert video to Apple ProRes 422 HQ, LT, Proxy or ProRes 4444.
Besides Apple ProRes codec, you can also convert Blu-ray/DVD/any video to DNxHD codec for Avid Media Composer, convert video to Apple Intermediate Codec (AIC) for iMovie, convert video to DVCPRO, convert video to MP4, MKV, AVI, QuickTime, or convert video for Sony Vegas Pro, Adobe Premiere Pro, etc.
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